Current offerings, 2025

small group movement workshop, online

this bi-weekly gathering is to move it out AND then spend the rest of the hour problem-solving. to engage in collective somatic practices then to organize and get organized. specifically: this gathering will be in service of raising funds, gossip, & being in (literal) movement together.

some thursdays. semi-regular commitment requested [rose emoji] [heart emoji]

write to me for the video call link. | marion.fr.storm.us (at) Gmail.com


M.V.M.T.

MVMT stands for multi-valent movement transits. It’s pronounced like “movement”. This one-on-one workshop is one hour-long, and open to you: whoever feels called to observe, experience, and align with your own visceral doings. With your way, and the ways you want to move.

I facilitate this workshop using a combination of somatic practices, thought recipes, and body-based scores (sometimes there’s homework — it’s nice!) to help you to tune in, rest, move, uncover, process, re-pattern, complete the stress cycle, and move into unknown territory if you feel up for it.

Mode: Online or in person

Pricing: MVMT is 90 EUR per session. Solidarity/low-income pricing is available, please ask me about it.

Languages spoken: English or French

Please write to me at marion.fr.storm.us (at) gmail.com to book your first session or talk more.


about me

I’ve been an embodied-knower-through-dancing for 34 years, having trained in somatic practices — systems that ask us to sense and make sense starting from the perspective of the thinking~intuitive~receptive~expressive body — for the last decade. I have experience facilitating and teaching movement workshops for all ages in a variety of contexts, and I hope to connect with you in the studio and beyond. I am in constant dialogue with many incredible artists, teachers, and embodied knowers, including (in 2023, recently) Mariana Viana through her BodyWeather practice, Jennifer Monson with iLanding scores, Connor Voss’ Feldenkrais class, Marielys Burgos’s BodyPortals work at Movement Research, Tyler Rai’s Art/Life Tamalpa sessions, and other techniques & transmissions that influence my own teaching practice.

Accessibility statement: All embodied histories, cosmologies of practice, communication styles, and comfort levels with movement are invited. Please reach out with any Disability and Accessibility questions in relation to the following offerings, including the possibility of live Captioning, working in other languages, and sliding scale fees. Welcome!


Previous offerings:

Se (re)mettre en danse

An “Atelier du lundi”, Montpellier Danse

Dates: Intermittent Mondays throughout the Fall Season (2023)

Languages spoken: My version of French

Click here to reserve a place and read the course description.


Sur les rives (At river’s edge)

Co-facilitated in collaboration with Montpellier-based performance researcher Alix de Morant.

Full day workshop investigating embodiment and sense-making through the study with the shapeshifting forms of water.

Teaching History: Theatre de la Cite International in Paris, Theatre & Climat symposium (day-long), autumn 2020 & Universite de Rimouski in Quebec (virtually presented, 2 parts), spring 2022.

Receive updates about our next workshop by writing me here.


Marais Marcher : A walking club ~ Club de marche

We will incorporate movement practice, making choreographic scores to get to know our environs, and we will experience what it feels like to move with terrain. Inspired by the cityscape, the nearby estuary, and everything in between.

This is for the walking- and movement-curious.

You do not have to be a professional walker or dancer to join. Or, you can be both of those.

Adhesion: 25 EUR

Dates: Tuesdays @ 15h beginning December 5, 2023. roughly 1.5 hour duration **No club de marche le 26 decembre.

Languages spoken: French and English


Collaborative Precarity Bodyhacking

Co-facilitated in collaboration with Elae [Lynne DaSilva Johnson] & Cory Tamler in New York.

Cross-disciplinary workshop addressing precarity’s trauma-resonant effects on mind and body programming. We employ individual and group work that includes writing, performance, movement, breathwork, mindfulness, and dialogue. We make space for reading, ritual, and emergent documentation. No previous experience in any of these
disciplines is necessary, and exercises are adaptable to the needs and abilities of different bodies.

Teaching History: Hosted by Exponential Festival in conjunction with resistance fantasies symposium of somatic experiments at Target Margin Theater, January 2019.

For documentation of this workshop, visit the archive.


Morning Class

Choreographic practices & sustainability

A portable workshop series for dancers & people with movement practice, which incorporates intersecting systems of embodiment, somatics, dance, perception, and choreographing. You can expect a full body-mind warm up, scores to arrive in the space, dialogue, partner work, repatterning exercises, and dancing.

Teaching History: Used as a daily warm up & generative practice in rehearsal for my projects; taught recently at 3 bis f – centre d’arts contemporains through their “SESSION” program for teaching artists-in-residence.

To bring this workshop series to your studio, program, or institution, please send me a message.


Open-level Movement

In this class, movement becomes a tool for storytelling, relationship building, and playful experimentation.

Teaching History: With Sprat Artistic Ensemble & The Neon Museum, for elders and teenagers (2012 – 2018). In the context of Phoebe Berglund’s teaching artist residency at MoMA P.S.1 in collaboration with Wendell Grey & Katie Dean, for highschool students (2018). In the context of an artist residency at Chez Bushwick Studio, New York, for grade-school children (2017). In the context of summer festival “Possible Futures” at 3 bis f – centre d’arts contemporains and Hospital Montperrin for neurodivergent and non-neurodivergent adults (2022).

To incorporate this class into your programming and to hear more about my experience working with specific populations, please send me a message.

After a sensory walk in the garden.
Here teaching a morning class at 3 bis f – centre d’arts contemporains through their “Sessions” frame, which provides an opportunity for their Artists in Residence to share practices.
Aix-en-Provence, Spring 2022.

Marion Storm is a dance artist based in Sete/montpellier. Her projects have been recently presented at Center for Performance Research (New York), 3 bis f – lieu d’arts contemporains (Aix-en-Provence) and mas nyam nyam (catalunia) among others.

Storm’s writing has been published by The Operating System, Loam, and About Place Journal. She teaches intergenerational movement/sensing/attention workshops for everybody, and offers dance classes to dancers that mix her particular embodied practices that fortify the links between body and place.

Storm was the recipient of a Foundation for Contemporary Arts ‘Emergency Grant’ for her collaboratively built performance and symposium resistance fantasies: strategies for moving toward– and against– in 2019, and was awarded an ‘Artists in the City’ scholarship by Fondation Hermes in 2019-2021 for completion of the Master Exerce (Montpellier) in Choreographic Research & Performance.

Her dance & writing work on and with the planet is grounded in hydropoetics, & the sensuouness of transmission in performance (like–this is what it feels like to…).

Marion Storm began to choreograph and compose dance in 2010 at The New School with the guidance of Neil Greenberg, on Lenapehoking land, in New York City.

photo credit: Charlez Malasana

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